The subtitle to Dan John's new book is A Philosophy of Lifting, Living and Learning. A collection of Dan's essays, this book succeeds in laying out his very basic ideas to training with weights and how he goes about teaching others to train. It also succeeds in being thoroughly engaging, often laugh out loud funny, frequently provocative and always insightful. And it maintains a high level of all these qualities for over 400 pages. Impressive.In his Preface, Dan touches on his approach to weight training which exists in essentially three bullet points. The balance of the book, the essays, (or as Dan might prefer: stories) can be thought of as lessons each expanding in some way on these basic ideas. Dan is a professional educator after all and there is pedagogical purpose behind all his writing. It's certainly not dry academics, but it's not simply pure entertainment either. Dan's three bullet point mission is a basic structure, a form, an idea. To use a music analogy, the 12 Bar Blues is about as simple a music form that's ever been created...but in the hands of a master there is an entire universe in that simple three chord progression. So each of Dan's stories is a kind of rif on some aspect of his basic "three chord" training philosophy, liberally sprinkled with anecdotes, life lessons, encounters and good humored, self-deprecating asides.
Like any good composer, Dan doesn't pretend to have come up with his ideas in a vacuum. No, Dan has "connects" and they are all either long established iron game/track and field legends or more contemporary "legends in the making". As masterful as Dan is about presenting his own ideas, he's just as humble acknowledging when his ideas have been inspired and refined via his interactions with other professional coaches. (Stolen is his how he characterizes many of his ideas) That humbleness should also be instructive to the reader, especially if that reader has designs on a "fitness industry" or teaching career: Dan really is one of the best, yet he never loses sight that he stands on the shoulders of those masters that came before him. There is very telling essay in the book that really brought this quality of Dan's home for me called That Guy. (That story will tell you something about yourself too. It might not be a comfortable something either. Which is why it is so good and how it avoids being trite or simply sentimental.)
When it comes to sound weight training advice, there may indeed be nothing new under the sun. You could say the same thing about 12 bar blues. But then you throw in a CD of anything by Buddy Guy or Eric Clapton or Stevie Ray Vaughn and you will be blown away by the variety of creative expression inside a simple three chord (or so) progression. The thing about it is, creative expression requires a context to shape it...it's not just doing anything you want whenever you want, there has to be a structure for the creativity to spin in, to contain it, to give it a shape and something to work with and against; boundaries to test. As mentioned above, Dan's basic mission has been to get across three basic points. The points themselves are simple and direct and they provide a structure for testing and grounding new ideas. His creativity when it comes to communicating those three basic points is staggering. This book was for me as much a lesson in how to write well as it was on how to train well.
I'm not saying Dan is the Clapton of strength writing, but then again I'm not saying he isn't. I am saying this is a book every strength enthusiast/coach/trainer should read. But only if you want to learn something new, be entertained while you learn it and then use what you learn to get better at what you do. Otherwise, it's not for you.
You can buy it directly from the publisher: http://www.davedraper.com/fitness_products/product/BDJN.html
